Adaptations to the Bachelor of Conservation and Restoration
Adaptation per Year: 1º Year complete of the "Licenciatura" in Fine Arts are adapted by the 1º Year complete of the Bachelor of Conservation and Restoration | ||||
Adaptation of the Courses | ||||
"Licenciatura" in Fine Arts (1980's Plan) |
Bachelor of Conservation and Restoration | |||
Course(s) | year | Course(s) | year | |
Drawing and Shape Concepts | 1º | Fundamentals of Drawing I | 1º | |
Fundamentals of Drawing II | 1º | |||
Introduction to Colour | 1º | Fundamentals of Painting I | 1º | |
Fundamentals of Painting II | 1º | |||
Introduction to Modelling | 1º | Fundamentals of Sculpture I | 1º | |
Fundamentals of Sculpture II | 1º | |||
Art Theory | 1º | Art History Theory I | 1º | |
Art History Theory II | 1º | |||
Natural Drawing | 2º | No automatic Adaptation | ||
Natural Painting | 2º | No automatic Adaptation | ||
Modelling | 2º | No automatic Adaptation | ||
General Morphology and Applied Anatomy | 2º | No automatic Adaptation | ||
Simbology, Mithology and Iconology | 2º | No automatic Adaptation | ||
Materials Knowledge (Op) | 2º | No automatic Adaptation | ||
Introduction to Plastic Arts in Andalusia(Op) | 2º | No automatic Adaptation | ||
Ornamental Arts (Op) | 2º | No automatic Adaptation | ||
Didactics of Graphical Expression (Op) | 2º | No automatic Adaptation | ||
Art History | 2º | Contemporary History and Art | 2º | |
Natural Drawing: Composition | 3º | No automatic Adaptation | ||
Pictorial and Sculpture Procedures and Techniques | 3º | Constructive Procedures of Painting | 2º | |
Constructive Procedures of Sculpture
|
2º | |||
Perspective | 3º | Representation Systems | 1º | |
Introduction to the Conservation and Restoration of Works of Art(Op) | 3º | Sin Reconocimiento Automático | ||
Introduction to Photography (Op) | 3º | Imagen Digital | 1º | |
Introduction to Graphic Design (Op) | 3º | Imagen Digital | 1º | |
Introduction to the Engraving Techniques(Op) | 3º | No automatic Adaptation | ||
Pictorial Composition | 4º | No automatic Adaptation | ||
Drawing in Movement | 4º | No automatic Adaptation | ||
Wall Painting | 4º | Constructive Procedures in Architectural Cladding | 2º |
Painting History | 4º | No automatic Adaptation | ||
Pictorial Creation | 5º | No automatic Adaptation | ||
Landscape | 5º | No automatic Adaptation | ||
Geometric Drawing | 5º | No automatic Adaptation | 1º | |
Natural Modelling | 4º | No automatic Adaptation | ||
Sculpture History | 4º | No automatic Adaptation | ||
Direct Creation in Sculpture | 4º | No automatic Adaptation | ||
Modelling and Composition | 5º | No automatic Adaptation | ||
Sculptural stature | 5º | No automatic Adaptation | ||
Ornamental and Creative Design | 5º | No automatic Adaptation | ||
Conservation and Restoration Techniques | 4º | No automatic Adaptation | ||
Painting and Sculpture Treatments | 4º | Intervention in Painting I | 2º | |
Intervention in Sculpture | 2º | |||
Drawing and Ornamentation | 4º | No automatic Adaptation | ||
Classification and Expert in Works of Art | 4º | Valuation and Expert | 3º | |
Methods and Techniques of Research | 5º | Applied Sciences I | 2º | |
Applied Sciences II | 3º | |||
Sculpture and Painting Treatment II | 5º | Intervention in Painting II | 3º | |
Intervention in Sculpture II | 3º | |||
Museology and Artistic Legislation | 5º | Legislation of Heritage | 4º | |
Museology of Cultural Heritage | 4º | |||
Engraving I | 4º | No automatic Adaptation | ||
Creative Photography | 4º | No automatic Adaptation | ||
Graphic Design I | 4º | No automatic Adaptation | ||
Engraving II | 5º | No automatic Adaptation | ||
Lithography and Print | 5º | No automatic Adaptation | ||
Graphic Design II | 5º | No automatic Adaptation | ||
Multicoloured Imagery (Op) | 4º/5º | No automatic Adaptation | ||
Ceramics (Op) | 4º/5º | No automatic Adaptation | ||
Methods and Techniques of the Sculpture Reproduction (Op) | 4º/5º | No automatic Adaptation | ||
Theory and History of Stamp (Op) | 4º/5º | No automatic Adaptation | ||
Drawing Pedagogy (Op) | 4º/5º | No automatic Adaptation |