Profesorado

MARÍA JOSÉ GONZÁLEZ LÓPEZ, received her doctorate degree in Fine Arts at the University of Seville, specializing in Painting and Restoration. She specialized in Conservation-Restoration at the "Institute Royale du Patrimoine Artistique" (IRPA) Brussels, Belgium.

Professor at the University of Seville, in the Bachelor of Conservation-Restoration and related Masters: Architecture and Historical Heritage (University of Seville), Management and Conservation of Heritage (University of Córdoba); Museums and Management of Collections (University of Granada); and Rehabilitation, Conservation and Restoration of Built Heritage (University of La Laguna)-

Director of the Research Group Conservation of Heritage. Methods and Techniques (C&P). Research of the Project I+D+I Terránica: " La escultura en terracota policromada". Coordinator of the Research Project: "Policromía. Escultura policromada religiosa de los siglos XVII y XVII". Programme "Marco RAPHAEL". 

Ex-Chief of the Department of Treatment of the Andalusian Institute of Historical Heritage. She coordinates and runs among other projects: "Capilla Real”, “Retablo de los Santos Juanes” of the Real Chapel of Granada, “El Giraldillo”, the paintings of “La Sala de los Reyes”of the Alhambra in Granada” (IAPH) or, the project “Taller de Retablos” (The Getty Conservation Institute-IAPH). 

MORE INFORMATION: 
https://us.academia.edu/MARIAJOSEGONZALEZLÓPEZUNIVERSIDADDESEVILLA
http://alojamientosv.us.es/conservacionyp/

FERNANDO INFANTE DEL ROSAL. PhD. Lecturer in Aesthetics at the University of Seville (Spain).

Interested in issues related to philosophy of emotions, sympathy, empathy and psychic identification. Just as relation between autonomy of art and mass culture: Film Theory, Design Theory, Film Music. Director and graphic designer at www.elgolpe.net since 1994, a well-known graphic studio of Spain. Numerous prizes and recognitions in plastic arts, graphic design and poetry. Musician (vocal, keyboards and guitar). Member of the Executive Committee of the Spanish Society for Aesthetics and Art Theory.

PACO LARA-BARRANCO was born in Torredonjimeno (Jaén), 1964.

Painter and Permanent Lecturer at the Faculty of Fine Arts of the University of Seville.  

He teaches his students the motto of "teach to learn" before "convey knowledge". The basis of his educational framework lies in getting to know the interests of every student in order to promote the development of their personal project. He believes that in the classroom collaborative work is essential, because it is where the students can speak in public and generate a discussion. These discussions and collaborations are essential in discovering topics for personal research, which are very serious for the students. "Intuition + Instinct" are key factors to answer questions like: What to do?, How to do it? and, Why to do it?.

His research activity is tied to the key words: painting, fate, conceptual art, and postmodern art. 

His artistic production, independently of the means used—painting, object found, photography, performance, facilities - are determined by a doble purpose: to promote autonomous nature and to show the passing of time. 

BELÉN LEÓN-RÍO University of Sevilla. Faculty of Fine Arts. Department of Sculpture and Plastic Art History.

Research Group: "Técnicas del Bronce"

Project: "Colada Automática de Procedimiento Eutéctico en la Fundición Artística" (P07-HUM-02497 - Research)

Doctor (1996) in Fine Arts and "Licenciada" specializing in "Sculpture" and "Restoration and Conservation" at the University of Seville, where she works as a professor. She has presented in different organization, institutions and galleries, wining several prizes. As a writer and research, she would take into consideration 5 books related with the psychology of the artist, as well as 6 articles in scientific magazines;

• "Bellas Artes" nº 3, (2005). ISSN 1645-761X.
• "Arte Individuo y Sociedad" nº 21, (2009). ISSN 1131-5598.
• "Creatividad y Sociedad" nº 22, (2014). ISSN 1887-7370.
• "Barcelona Research Art Creation", Vol. 3 nº 1, (2015), http://dx.doi.org/10.4471/brac.2015.03 ISSN 2014-8992.
• "Arte y Ciudad", nº 7 (2015).  e-ISSN: 2254-7673.
• "Aspakía" nº 29; (2016), 63-74 - ISSN: 1132-8231, http://dx.doi.org/10.6035/Asparkia.2016.29.5

MANUEL FERNANDO MANCERA MARTÍNEZ. Received his doctorate degree in Fine Arts at the University of Seville. Master of "Philosophy and Modern Culture", he is a professor in the Department of Drawing at the Faculty of Fine Arts, where he teaches the course "Art, Design and Communication". His works is currently oriented towards the digital production (series like “Cirque DuMal”, “LaVozDeSuAmo”…). Nevertheless, he develops different projects in Painting (series like “…de momento abril”, “the Simpsons”…); Drawing (series like “inocente-pecador”, “NeoIconografía”…), Phototography (series like “quién le dice que no al tiempo”, “Cronos”) and Sculpture (series like “Mitos”, “Eros”…).

His curriculum can be checked here: 

http://paralosqueamandemasiado.es/
https://www.facebook.com/paralosqueamandemasiado
http://issuu.com/mfmancera
https://www.youtube.com/user/mfmancera

ALBERTO MAÑERO GUTIÉRREZ, with a 30-year experience in teaching in "Licenciatura", Bachelor and Master. He is a professor in the Department of Painting of the University of Seville, where he received his doctorate degree in 1991. His professional and research experience is wide. He is part of the Doctor's degree in Art and Heritage at the Faculty of Fine Arts. He has directed Phd dissertations, Mater's Thesis and Final Projects, and at the same time, he has been part of these specific examinig boards. He is researcher responsible of the research group PAI HUM-599, since 1993 until 2016. He is a collaborating researcher of the research group PAI HUM-447, since 2017. Responsible of several educational innovation projects through the "Campus Virtual Andaluz". His research areas are focused basically on painting, technique and new technologies applied to teaching, methodology in Fine Arts and New Technologies. 2 six-year term recognized by CNEAI. He is a member of programme's experts  ACADEMIA of ANECA, since 2011. The research of the pictorial work has been carried out, since 1981, through several individual exhibitions and many pooled samples.