ANTONIO BAUTISTA DURÁN.
Figurative Plastic Artist. Drawing, Painting, Sculpture, Ceramics and Engraving.
First Files Promotion 1983-88.
Research Fellow 01/10/1989 - 30/10/1992.
PhD in Fine Arts 14/07/1994.
Associate Professor 01/11/1992 - 21/03/2002.
Responsible of the Research Group Hum 552 since 1997.
Professor 22/03/2002 - at present.
Director of the Department of Drawing11/04/2011 - 07/05/2015.
Vice-dean of International Relation and Internships 29/04/2015 - at present.
Director of 10 PhD dissertations.
MARÍA DEL MAR BERNAL (Osuna, Sevilla 1966) Received her doctorate degree in Fine Arts at the University of Seville, after she finished her "licenciatura" in the Complutense University of Madrid. Currently, she is a Professor in the Department of Drawing, dedicating her services to teaching, artistic work, and research in the area of graphics. She is the author of the book "tecnicasdegrabado.es [visual diffusion of the printed graphic] (2013) and several chapters of books and articles in specialized magazines. Among the most recents stand out "El papel japonés para grabado" (Engraving and Edition), (2016) "El espanto del cura: la difusión del Libro de Artista en Internet". (LAMP. Cuadernos sobre el Libro. Complutense University of Madrid), "Los nuevos territorios de la gráfica: imagen, proceso y distribución". (Art, Individual and Society , 2016), "Grabado y Performance. La desobjetualización de la gráfica". (G&E, 2014). Between other conferences and contribution to congresses, her line of research generally focuses on aspects of entrepreneurship and graphics (School of Art of Jerez, Córdoba and Catholic University of Chile 2014-2015), and the virtual resources to the non-formal learning of graphics. She is a researcher for the group HUM822: "Gráfica y Creación Digital", she is part of the PhD Programme Art and Heritage.
DANIEL BILBAO PEÑA. Seville 1966. "Licenciado" in Fine Arts at the University of Seville in 1992.
As a Professor and Research:
Associate Professor University of Sevilla since 1994 until 2002.
Professor University of Seville since 2002 until now.
Principal Research of the Group HUM-554 “Morfología de la Naturaleza”, in which he continuous working.
Research of the Excellence Project of the P.A.I.D.I.: “Archivo documental de percepciones y representaciones de paisajes andaluces". (P09-HUM-5382), led by Professor Ojeda.
"Rivera" of the Universidad Pablo de Olavide (Sevilla) and current between 2011-2015.
He has attended conferences as a speaker and also, he has lectured conferences about his work and his research as a plastic artist, emphasizing the analysis of the morphological landscape as a surrounding of men, and the graphic and pictorial procedures of new wooden bases.
He is part of the Doctoral Programme Art and Heritage
As a Plastic Artist:
He has participated in 28 individual exhibitions in Madrid, Toledo, Orense, Santiago de Compostela, Pontevedra, Murcia, Huelva, Cádiz and Sevilla.
More than hundred collective exhibitions in Spain, Portugal, France, Italy and USA.
He has received 22 national and international awards.
One can find his work in Museums, organizations, and collections in Spain, France, Belgium, Italy, England, Ireland, Poland, Hungary, The Czech Republic and USA.
His art is multifaceted, although the analysis of landscape as the human surrounded, the morphology of nature, and the architecture and human intervention is recurrent.
RAMON BLANCO-BARRERA ‘233’ is the name of the visual artist and/or social catalyst Ramón Blanco-Barrera. He uses this number as a pseudonym in allusion as an identifier name of our overcrowded global and capitalist system. He goes after the reflection in the spectator through rescindable "screams". He works internationally with/for people, in site-specifics, considering the artistic projects as direct experiences in situ.
He is a professor and research in training of the Department of Drawing at the Faculty of Fine Arts (University of Seville) since 2014, he is under the direction Yolanda Spínola-Elías. He is an Associate Community Member of the Human Rights Research and Education Centre de la University of Ottawa (Canada) since2016.
He has received several scholarships and artists residences all over the world. He is a Co-funder and Cultural Manager of @BICImagenta along with Concha Barrera Carmona, a sustainable artistic-educational project with headquarter in Cañada Rosal (Seville). Author of several research articles, published in scientific magazines. Among his last individual exhibitions are ‘Democratic Artworks’ in Berkeley (2016) and ‘ #TheUniversalGame : One flag to connect us all’ in Ottawa (2015).