CARMEN ANDREU-LARA (Cádiz, 1963) received her doctorate degree in Fine Arts at the University of Seville (1989), where she currently works as a Professor in the Painting Department. She lectures in the Bachelor of Fine Arts and the Master of Art: Idea & Production.
She is the head researcher of the group HUM 841, Landscape Observatory, focusing on the Art as assessment tool, and the awareness of landscape. She has worked on this topic from the theoretical reflection standpoint, and works publishing articles and participating in conferences and meetings, along with continuing her artistic practice through the participation of exhibitions.
In recent years, she has focused on the research of a methodology that facilitates the transdisciplinarity reading of landscape with the convergence of different disciplines such as geography and history. She also participates in the research team of "Cultural Landscapes of the Global Heritage List" project. Keys for the Identification and Criteria for the Management of Pastures, Iberian Areas, and Mediterranean Olive Trees. (CSO2015-65787-C6-6-P).
She is part of the Phd Programme of Art and Heritage.
MARÍA ARJONILLA ÁLVAREZ, received her doctorate degree at the University of Seville in 1993. She studied the "Licenciatura", specializing in Painting (1985) and Conservation-Restoration (1994).
Since the year 2002, she is a member of the PDI at the University of Seville. She is a professor of the Bachelor of Conservation and Restoration of Cultural Heritage, Bachelor of Archaeology, and the Master of Art: Idea and Production.
Through her professional career, she has collaborated with different public and private institutions in the management of exhibitions, publication, meeting, scientific symposium, and conservation and restoration projects.
She is part of the Heritage Committee at the University of Seville, and also, she is a member of the research group "SICA, pCultural+3i" (Patrimonio cultural: intervención, investigación, innovación) and the "Red de Ciencia y Tecnología para la Conservación del Patrimonio" (Tecnoheritage).
ROCÍO ARREGUI PRADAS (Osuna, Sevilla 1965) Visual Artist, Professor, and Research.
She received her doctorate degree in Fine Arts at the University of Seville in 2006. Currently, she is a professor in the Department of Drawing at the same University, and also a Professor of Plastic Arts in high schools (personal grounds at the moment), and a Professor of Learning Sciences. She is a collaborator at the "Centro Andaluz de Arte Contemporáneo" and "Anaya" publishing house in the elaboration of teaching resources.
She is interested in the approach of nature, its cycles through art, and education as an engine of social change. She participates in collective exhibitions in Spain and abroad, and individual exhibitions like "Patio Community", at the CICUS, "Cubicaje", at the exhibition hall Guirigai, "Cartografías de afectos vegetales", at Neilson Gallery, "Plantae", "City Flowers", at the gallery Félix Gómez and the exhibition room Maravillas, "Metálica vegetal" at the art gallery Icaria, "Fulgor", at Vírgenes galleries, or the artistic installation "Sombras y réplicas", at the "Fundación Aparejadores". Selected works in help or contests as "Iniciarte", "Grúas Lozano" or "Arte de Mujeres". She has been published in magazines such as, The International Journal of the Arts in Society, API or Escuela Abierta, and has participated in communications and lectures in local and international congresses.
MARÍA DEL MAR BERNAL (Osuna, Sevilla 1966) Received her doctorate degree in Fine Arts at the University of Seville, after she finished her "licenciatura" in the Complutense University of Madrid. Currently, she is a Professor in the Department of Drawing, dedicating her services to teaching, artistic work, and research in the area of graphics. She is the author of the book "tecnicasdegrabado.es [visual diffusion of the printed graphic] (2013) and several chapters of books and articles in specialized magazines. Among the most recents stand out "El papel japonés para grabado" (Engraving and Edition), (2016) "El espanto del cura: la difusión del Libro de Artista en Internet". (LAMP. Cuadernos sobre el Libro. Complutense University of Madrid), "Los nuevos territorios de la gráfica: imagen, proceso y distribución". (Art, Individual and Society , 2016), "Grabado y Performance. La desobjetualización de la gráfica". (G&E, 2014). Between other conferences and contribution to congresses, her line of research generally focuses on aspects of entrepreneurship and graphics (School of Art of Jerez, Córdoba and Catholic University of Chile 2014-2015), and the virtual resources to the non-formal learning of graphics. She is a researcher for the group HUM822: "Gráfica y Creación Digital", she is part of the PhD Programme Art and Heritage.
JUAN FRANCISCO CÁRCELES PASCUAL, ·Received his doctorate degree in painting. He has been a professor since 1976.
·Teaching provided: "Licenciatura" of Fine Arts, Bachelor of Fine Arts, Master of Art: Idea & Production, and doctorate courses since 1991.
·He has been responsible for the research group "MATERIALES Y TÉCNICAS ARTÍSTICAS" since its creation in 1989 (Materials and Artistic Techniques) ( (HUM-467).
·He has recognized 4 tranches of Investigation (Six-year period), and is the author of four books, several chapters of books, critical reviews, prologues and journal articles.
·Since its creation, he has been part of the Panel of Outside Experts from the "ANECA" for the accreditation of the University Educational Bodies.
·Expert Evaluator of Research Projects I+D+I for the National Agency for Assessment and Forecasting ("ANEP"), since 1990.
·Reviewer of scientific journal for "FECYT".
·He has led 11 dissertations and 20 research projects (Thesis, Ha dirigido 11 Tesis doctorales y 20 Trabajos de Investigación (Tesinas, Doctoral Research Projects, Master's thesis, etc.).
·Coordinator of the Doctoral Programme Art and Heritage.
·Since 1973 he has done 11 individual exhibitions, and since 1969 he has participated in 135 collective exhibitions (121 in Spain, and 14 abroad)
·Between1974 and1999, he obtained 12 awards in national and international contest.
FRANCISCO J. CORNEJO VEGA (Setcases, Girona, 1957) received his doctorate degree in Art History at the University of Seville (Dissertation: Painting and Theatre of the Golden Age in Sevilla: The Sacred Monarchy , 2000) Professor of Art History in the Department of Sculpture and History of Plastic Arts.
He is part of the Doctoral Programme "Art and Heritage".
Line of Research:
- Golden Age Painting
- Golden Age Theatre
- Inventory and Restoration of Cultural Heritage
- Theory and History of Stamping
- Theory and History of Puppet Theatre e Historia del teatro de títeres
Member of the Research Group HUM429: Museum